The film earned the Critics Award for Best film at Filmfare. In 1996, he made his directorial debut with Khamoshi: The Musical, the commercially unsuccessful but critically acclaimed narration of a daughter's struggle to communicate with her deaf-mute parents. However, they had a falling-out when Bhansali refused to direct Kareeb. He is the founder of the production house Bhansali Productions.īhansali with Ranveer Singh and Deepika Padukone during the trailer launch of Goliyon Ki Raasleela Ram-Leela in 2013īhansali began his career as an assistant to Vidhu Vinod Chopra and was involved in the making of Parinda, 1942: A Love Story and Kareeb. He is an alumnus of the Film and Television Institute of India. For the former, he won the National Film Award for Best Direction, as well as Filmfare Awards for Best Director and Best Film and for the latter, he won the National Film Award for Best Music Direction and the Filmfare Award for Best Music Director. His period dramas Bajirao Mastani (2015) and Padmaavat (2018), both rank among the highest-grossing Indian films of all time. His home production, the biographical sports film Mary Kom (2014), earned him his third National Film Award. This changed with his adaptation of Shakespeare's Romeo and Juliet - the tragic romance Goliyon Ki Raasleela Ram-Leela (2013) - opened to positive reviews and strong box office collections, for which he received several awards and nominations. He followed it by directing consecutive commercially unsuccessful films such as Saawariya (2007) and Guzaarish (2010), however, Guzaarish received mixed-to-positive reviews from critics and audiences. He rose to prominence in Hindi-language cinema with the commercially successful romance Hum Dil De Chuke Sanam (1999), the epic musical romantic drama Devdas (2002) - for which he received a nomination for the Best Film Not in the English Language at British Academy of Film & Television Awards (BAFTA) - and the drama Black (2005), for all of which he received multiple Best Director Awards and Best Film Awards along with additional Critics Award for Best Film for the latter at Filmfare Awards, and multiple National Film Awards for the latter two. In 2015, the Government of India honoured him with the Padma Shri, the fourth highest civilian award.īhansali made his directorial debut with the romantic musical Khamoshi: The Musical (1996), for which he received the Filmfare Critics Award for Best Film. He is the recipient of several awards, including five National Film Awards, ten Filmfare Awards and a BAFTA nomination. Sanjay Leela Bhansali ( Gujarati: born 24th February, 1963) is an Indian director, producer, screenwriter, and music director who is known for his work in Hindi cinema. Film maker, Director, Producer, Screenwriter, Editor, Music Director, Will the duo be able to survive these obstacles or become a victim and succumb to the blind beliefs of society, this statement arises a big debatable question.
This story comes to a standstill to make people think and differentiate the gap between a real and reel life due to their blind faith and mental blocks, their fake religious beliefs were affecting their thoughts and actions against the couple. Raja-Ram an enthusiast by nature had only one dream of becoming an actor since his childhood being a small village resident, he was deprived by that chance to be one and his dream couldn't get wings to fly high till date. The story is about the dream of Raja ram and its impact on the society. It's about Ram-Leela that is taking place for the first time in Khaakhar village. Our story highlights the above issue in an unique and a beautiful way, that is unravels the double standards of the society, that is living a substandard life.
#Ram leela movie wikipedia full
If one is impaired at the sight towards their way of living, It results into a lifestyle full of deception and dishonesty not only that the deception and denial towards life hampers the stability and growth of the people in society It promotes alarming rise in double standards too. Religion and Culture have blindfolded the society in such a way that one doesn't want to question and neither does the curiosity to question or interrogate arise.